The Practice
Each day, I step outside my studio and listen—not only to the forest’s audible sounds, but to the vibrations I can’t hear, the presence I can only sense. These moments aren’t abstract—they are physical, rooted in attention. From this space of attunement, I make work—not to declare what I know, but to stay in contact with what I do not.
My practice begins in perception but moves toward the unknown. Water, glass, light, and turbulence are not metaphors—they are collaborators. Through them, I explore instability, reflection, time, and the entangled systems that shape both the cosmos and the body.
I’m creating conditions—for attention, for presence, for altered ways of seeing. My installations and photographs do not resolve. They refract. They echo larger networks—neuronal, ecological, cosmological—through form and fluidity.
The work is not a conclusion, but a question. Each piece is an invitation to stay longer, to look more deeply, and to listen for what might begin to speak when perception begins to dissolve, and self-organize into a more complex system.
16 Cuboid Float, 2017, Glass, water, aluminum, steel, sunlight, and bio-matter, 276” x 96” x 72”